See the screencast MediaStorm Guide to Audio Configuration for assistance.Īs a general rule, I use the better audio source and double it so I now have a stereo pair. After you’ve imported the XML file generated by PluralEyes into Premiere Pro CC and your tracks are in sync, it’s time to create a multi-camera sequence.įirst though, because PluralEyes offers no audio configuration options like stereo vs.mono, or which tracks to duplicate for stereo pairs, you’ll need to make sure your audio is set up properly. In the first part of this tutorial, I showed you how to sync multiple camera angles and audio sources using Red Giant’s $199 PluralEye’s 3.0. To read more about why we made the switch, check out this post. This article is part of a series of posts with tips and tricks from our producers’ experience working with Adobe Premiere Pro CC after years of working in Final Cut Pro.
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